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And the handful of kills, although excessively gory with intestines and flesh flying all over the place for what seems like forever, are as forgettable as the movie. A mad doctor attempts to heal his son by transplanting an apes heart, with disastrous bloody results as his son grows facial hair and goes on a rampage, while a policeman and his wrestler girlfriend track down the killer. Its fun and gruesome at the same time, its just a pity its the slasher-killing-teenagers format and that the humor is sadistic rather than witty or splatstick.

Hungarian no-budget home-made campy horror by a couple of horror fans. This time, rambo is a cynical snake-catcher in thailand who is recruited by naive christian missionaries on a mission to burma. The other factor is the particularly nasty aspects of the kills.

A family and some tourists on vacation are staying in a cabin in the woods, when a young teenager awakens some pathetic demons with some fire-crackers (huh?). A group of youngsters vacation in a deserted cabin and find truly unstoppable evil linked to a book of the dead that possesses them and then sets off an anarchical bloodbath. The approach is as if a guy with an extremely warped and grotesque imagination goes on a bender and has a bad trip while making his way to the kitchen for some food.

Then there is another nonsensical super-gory short that takes the more-is-more approach, where all hell breaks loose at a cult, and demons rip out of women, men explode, zombies walk the ceilings, men commit synchronized suicide, and much much more. Even so, a recent survey by harris poll shows that young people are now monitoring and changing their privacy settings more than ever, a development that usa today dubbed the edward snowden effect. Like the 2008 rip-off, this one uses the original romero idea of a military base hosting soldiers and scientists, and one smarter pet zombie.

There is some laughably bad acted drama concerning rivalry between brothers, love for their mom and their cat. Think of the baby cart series, with modern anachronisms, gratuitous nudity and skimpy girls that look like they came out of a porno, made in the us by a japanese director with mixed japaneseamerican actors. The two celebrity bounty-hunters look like teenage idols rather than killers, with utterly bland non-existent personalities, and the girl has the super-powerful skill of looking like she stepped out a victoria-secret catalog even after riding through a radioactive desert for a whole day.

The first involves a loser meeting up with a girl, ending with a completely gratuitous and pointless dismemberment. Except that they arent being funny and you wish the zombie would get rid of them quick. He soon learns to fight back though in a glorious rampage of violence and gore. The actors are below-average amateurs and the story is uninspired, but fans of this style of 80s horror should enjoy it somewhat for what it is. To stop the gory killing spree, he must meet his fate, and fight his brother to the death after getting sage advice from his master with long white eyebrows.


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The Worldwide Celluloid Massacre: Splatter
Many horror/slasher movies have generous seasonings of gore (e.g. Friday the 13th) but the movies listed here have gleefully excessive amounts of it.
Faithfully Karaoke Female Version Of Viagra Lewis charm, Add to this the fact that the victims behaviour never makes sense, and the youngsters somehow fall prey to very weak and slow predators in impossible setups. Yet another modern zombie movie with infected, raging, The plot is simple, and, as usual with most german splatter, is just there in order to get to the gooey gory stuff a man discovers his wife is cheating and kills her and her lover, who promptly come back as the vengeful undead to torture and kill their killer. So this pov cinematography varies from offensive to gimmicky, the killer and relationship are too contrived to be interesting, and the movie is mostly repetitive kill scenes, making this merely porn for the slasher crowd. Not to mention that every woman is naked or involved in some sexual activity before she is slashed.
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    The music is also all over the place and stolen or copied from said worshipped horror movies. Rather than rebooting this character and exploring the place of rambo in the modern world as i hoped, stallone goes for box-office success by simply going for the popular image of rambo a one-man killing machine underdog who wipes out whole third-world armies when they get too vicious. There are only a couple of gleefully excessive throat-slitting scenes with voluminous arterial sprays, but there are also lots of other bloody murders, violent abuse of corpses and cannibalism, and a general misanthropic attitude, which makes this the goriest musical along with cannibal. Teenagers act out various scenes involving sadistic teachers, student fights, crime, drugs, harsh home arguments, all breaking out in sudden absurd violence involving lots of guns, a chainsaw, fire, etc. This one is at the level of a good troma movie.

    The gore is over the top but not as gooey as the original, and the silly camp does bear a similarity to the charm of h. The gore isnt prevalent but when its there, its over the top. Also includes the usual gruesome hook-skinning, and a gory ripping apart of a robot. An obvious homage to scanners, this one also gleefully reproduces the 80s horror vibe with practical & gooey not-quite-convincing special effects, and a loud synth soundtrack. When the journalists and military intervene, the disease spreads with chaotic results.

    Except that it seems the director is so obsessed with depravities, he forgot he was making a movie. In any case, its exactly the same plot with obnoxious teenagers finding themselves in the woods with a nasty disease going around that infects you in less than a day and does everything from making your flesh break out in boils, to having it melt or rot, or just fall off. The gore is mostly pretty good cgi with a great jaw-ripping scene, plenty of flesh munching and various other violent acts, including a pole-dancing duel and vaginal ping-pong balls as weapons. This extreme piece of nastiness and disturbing gore from chile ranks up there with movies like august underground, serbian film and the likes, whose common ground is the desire to showcase sadistic creativity and a wide variety of the most extreme violence unimaginable. The gruesome hook-gore, skinning and scenes of bodies being nailed or torn apart is pretty much back (in an unconvincing way), making this probably the goriest sequel in a long time. Until the revenge scenes, the gore and acting dont seem to match the brutality, but then we are treated to nasty torture scenes with pliers, chopping, and penis slicing. After the campy remakes of blood feast and 2000 maniacs, along comes this remake of another herschell gordon lewis splatter classic with a different approach. A young man and woman, with their relationship on the rocks, wander into a forest populated with one freak after another, from rapists to murderers, to tumor-infested cannibals. This low-budget zombie flick finds two targets the post 911 fear of terrorists and arab-americans, and conservative opinions on homosexuality, both of which could have been developed much further than the writing in this movie, but there are amusing moments to be had nevertheless. They really got the old 80s troma vibe and spirit down pat in this one.

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